Glasgow Film Festival

09 Annual February 03, 2013 to February 24, 2013

 

GLASGOW FILM FESTIVAL ’S VISION
‘The best of the best film festivals’, Glasgow Film Festival combines the best aspects of the world’s best fests in a welcoming, stimulating, inclusive and safe environment for all.

GLASGOW FILM FESTIVAL ’S MISSION
Glasgow Film Festival aims to be the most popular and well thought of film and moving image media event in the UK, linking local and global audiences to Scottish and international talent, cultures and ideas.

ABOUT THE FESTIVAL
Glasgow Film Festival is the third largest film festival in the UK boasting over 35,000 admissions in 2012.

Our approach is to put the filmmaker and the audience at the heart of our programme and establish quality of opportunities for both. We view the Glasgow Film Theatre (GFT) as the hub of the Festival whilst aiming to reach out across the city to support curatorial talent in both individuals and other organisations.

The Festival is a multi-venue, multi-partnership event which takes inspiration from and enhances the global image of Glasgow as an exciting place to live or to visit. It aims to exhibit the best of world cinema and moving image content; expand and diversify the audience for non-mainstream films; showcase and nurture new emerging talent; promote collaboration between appropriate media, platforms and sectors and ultimately promote the city as a national and international centre for the arts. The Festival aims to build year round audiences for the moving image medium.

Please note: submissions of short films under 5 minutes are accepted manually via our website – www.glasgowfilm.org

ORGANIZERS
Allan Hunter (GFF Co-Director) ; Allison Gardner (Director) ; Corinne Orton (Great Scots Programmer) ; Gail Tolley (Programmer) ; Matt Lloyd (GSFF Director) ; Seonaid Daly (Festival Producer)

GENERAL RULES
Glasgow Film Festival Submission Guidelines

The Glasgow Film Festival will take place throughout February 2013 in Glasgow, Scotland.

The Festival is committed to screening high quality new features, short length film and video work in all genres from around the world.

The Glasgow Film Festival 2013 will have a strand dedicated to Music films (showcasing the sounds, culture and influences of music and musicians – fiction and non fiction)

The Glasgow Film Festival 2013 will have a strand dedicated to Documentaries.

The Glasgow Film Festival 2013 will have a strand dedicated to Brazilian Cinema

Glasgow Short Film Festival has several award category as follows:
Bill Douglas Award for International Short Film judged by panel of industry experts has a cash value of £1000
Scottish Short Film Award judged by panel of industry experts has a cash value £750
There is also an International Audience Award and Scottish Audience Award.

All submitted films should have been completed after October 2011.

GFF regard a short film as 45 minutes or under and a feature film as over 45 minutes.

The final selection of all films presented at the Festival and their placement in the programme is the responsibility of the Co-Directors.

Submissions deadlines are as follows:
Early Bird 27 July
Regular 14 September
Late 5 October (for Feature Films)
Late 19 October (for Short Films)

These are postmark and payment deadlines but please do send your submission as soon as possible. All submissions, preview DVDs, supporting material and payment must be received by the appropriate deadline otherwise your film will not be processed.

All submissions must be on DVD. We only accept DVD PAL and DVD NTSC. You must label the disk with the film’s title and tracking number. Also put a label on the spine of the DVD cover noting the film title, DVD format and film duration. We will not accept any other format.

We will not consider previously submitted work unless it has been considerably re-edited/re-shot. Please include a cover letter with details. If we already viewed your film as a rough cut last year, we usually will not consider it for the following year. Please remember this before submitting as you will not be entitled to a refund.

Submissions with unpaid fees will not be considered for selection.

Payment must be made in POUNDS STERLING only.

Packages should be marked, NO COMMERCIAL VALUE – FOR CULTURAL PURPOSES ONLY.

Screening copies should be sent in packages marked ‘Submission’ addressed to:
GFF13 Submissions
Glasgow Film Theatre
Finance Department
12 Rose Street
Glasgow
Scotland, UK

ARCLIGHT DOCUMENTARY FILM FESTIVAL

Hollywood, California – USA
November 5 to 10, 2012

UPCOMING DEADLINE
September 23, 2012 – Final Deadline, No Entry Fee

MISSION AND OBJECTIVE
The Arclight Documentory Film Festival – ADFF – offers a top-notch screening opportunity in the bustling center of Hollywood, allowing filmmakers to display their works in the strongest possible environment and to the broadest possible audience.

MORE ABOUT THE FESTIVAL
In addition to celebrating feature-length documentaries of all kinds, ADFF accepts short documentary films with runtimes of 2 to 30 minutes. All films will be judged based on creativity, cinematography, editing, and story. The festival jury includes documentary producer Lesley Chilcott (Waiting For Superman), KCRW’s Matt Holzman, and International Documentary Association President Marjan Safinia.

U.S. Documentarians: Submit your film’s trailer today, and unleash your talent upon a global online audience for the chance to reach industry insiders and take home great prizes!

The 2nd Annual Arclight Documentary Film Festival (ADFF), is offering talented independent documentary filmmakers valuable exposure right in the heart of Hollywood, California. Held at the Arclight Hollywood – renowned for reserved seating, no advertising, and outstanding customer service – ADFF offers its visitors full immersion in the Hollywood experience. Synonymous with the premier film-watching experience, Arclight Cinemas is proud to align its name with some of the most incisive and thought-provoking documentarians working today and is equally excited to help discover the brightest up-and-coming talents of tomorrow.

Competitive categories include Biographic/Historic Documentary, Social Issue Documentary, and Short Documentary, to name just a few. Through its online selection process, the festival also gives film-lovers across the country and globe the chance to participate; voters on Facebook and YouTube select their favorite films based upon submitted trailers of 2-4 minutes each. The top five films in each category will be screened at the festival and then evaluated by a panel of industry professionals.

One finalist in each competitive category will be selected to receive the ADFF “Best in Category” prize, valued at $500 USD each. What’s more, one lucky ADFF finalist will be selected as the overall festival winner, receiving a cash prize of $10,000. As any documentarian knows, financial support is a fantastic asset, but it’s no substitute for great networking opportunities with industry experts who can pave a path towards new projects. ADFF is not only proud to offer its winners support on both of these fronts, it is dedicated to ensuring a fun and exciting experience along the way.


SANTA BARBARA INTERNATIONAL FILM FESTIVAL

Santa Barbara, California – USA
January 24 to February 3, 2013

The 28th Annual Santa Barbara International Film Festival (SBIFF), is a highly-anticipated eleven-day celebration of cinema taking place in one of California’s most beautiful seaside communities. SBIFF is proud to present a diverse slate of more than 200 films to over 70,000 film enthusiasts – an audience that includes industry professionals from nearby Los Angeles and around the world, local and regional film fans, and a large student population. Among a mix of attendees this varied and energized, attending filmmakers and guests alike are sure to expand their network and encounter incredible new stories.

Well-timed just a few weeks before the Academy Awards each year, SBIFF has become a glamorous must-stop for frontrunners on the awards season fast-track. The festival has developed a reputation as a strong prognosticator of Oscar favorites, having recognized Colin Firth’s performance in A Single Man, Viola Davis’s performance in The Help, Helen Mirren’s performance in The Queen, and Heath Ledger’s performance in Brokeback Mountain with its Outstanding Performance of the Year Award. The festival is also an Academy-qualifying festival for winning live action and animated short films.

At SBIFF, all participating filmmakers are offered two Platinum Passes and one complimentary night at one of the festival’s partner hotels. Assistance with travel is also provided, as well as admission to the SBIFF hospitality suite at the centralized and convenient Santa Barbara Hotel, offering continental breakfast and all of the amenities expected from a world-class event. The screening venues at SBIFF are second-to-none, including the historic and beautifully restored Arlington Theatre, which seats over 2,000 people – a cinephile’s paradise.

UPCOMING DEADLINE
September 21, 2012 – Regular Deadline

MISSION AND OBJECTIVE
The Santa Barbara International Film Festival is a non-profit organization dedicated to enriching local culture and raising consciousness of film as an art form. It presents quality American Independent, Spanish and Latin American, European, World and Documentary cinema within the beautiful setting of downtown Santa Barbara, a perfect backdrop and premier tourist destination.

MORE ABOUT THE FESTIVAL
SBIFF offers a broad spectrum of films, tributes, and galas, as well as seminars with successful directors, producers, and screenwriters, including a few all-women panels dedicated to promoting and exploring opportunities for female filmmakers. In addition to honoring many of Hollywood’s established and beloved stars, SBIFF is the home of the “10-10-10 Competition,” a spirited contest of storytelling skill between students currently enrolled in Santa Barbara high schools and colleges. Ten writers are selected to write one ten-minute script each, and those scripts are then matched with ten filmmaking students. Those students are given ten days to shoot and edit a ten-minute short film during the festival. Films are screened and winners are announced on closing night, making SBIFF the rare film festival experience that doesn’t simply screen films, but also produces them.

In addition, SBIFF offers an array of memorable and exciting programs for the benefit of young people, including “AppleBox,” a free, family-oriented, mini-film festival; “Field Trip to the Movies,” an arts education expedition for fifth- and sixth-graders; and “Silver Screen Bash,” the festival’s largest fundraiser for free children’s education and community outreach.

With a program that equally delights industry guests, film-loving families, and attending filmmakers of all types, Santa Barbara International Film Festival delivers a top-notch experience, no matter what you’re looking for. Submit your film today for the chance to enjoy the sights, sounds, sand, and cinema of Santa Barbara!

Oxford Film Festival

10 Annual February 21, 2013 to February 24, 2013

MISSION & OBJECTIVE
The Oxford Film Festival was created in 2003 to bring exciting, new, and unusual films (and the people who create them) to our city, a vibrant college town frequently featured in national publications and rich in artistic heritage.

ABOUT THE FESTIVAL
The four-day Oxford Film Festival continues to attract quality films and highlight the talents of young filmmakers from all over the world to North Mississippi to screen alongside the work of local filmmakers and has been praised for its hospitality. In 2008, the Oxford Film Festival became an independent non-profit organization with 501c3 status committed to celebrating the art of independent cinema.

The festival screens short and feature-length films in both showcase and competition settings, hosts panel discussions on issues in contemporary filmmaking, and invites the filmmakers to interact with the audience at a number of social events.

The Oxford Film Festival entertains and educates its participants, providing residents and visitors with the opportunity to watch independent films, as well as to meet the filmmakers and learn from industry professionals. The variety of films, in addition to the panels, attracts filmgoers of all ages and backgrounds.

ORGANIZERS
Diala Chaney (Hospitality Director) ; Diala Chaney (Hospitality Director) ; Dwayne Butcher (Filmmaker) ; Dwayne Butcher (Filmmaker) ; Melanie Addington (Communications Director) ; Micah Ginn (Production Director) ; Michelle Emanuel (Operations Director) ; Michelle Emanuel (Operations Director) ; Molly Fergusson (Executive Director) ; Oxford Film Festival Judge

GENERAL RULES
ENTERING TIPS
• Online screeners are encouraged. Entry fees have been discounted for films with Secure Online Screeners. Otherwise, please send 2 copies of the DVD with this application.
• Upon acceptance, filmmakers will be asked to provide a prores 422 file to the festival, a DVD backup, as well as a high-resolution photo file for printed materials.
• Entry title and name of entrant must be on all materials and containers.
• Applicants will be notified of decision by or before December 15, 2012.
• The Festival is not responsible for materials damaged or lost in transit. TRACKING NUMBERS ARE ENCOURAGED.
• Keep a copy of your completed application for reference.
• Separate applications are required for each film—even if one entity is submitting more than one film.

EXHIBITION FORMAT
• Please note that the Oxford Film Festival is a digital-only festival. We will screen your film as a digital file through a digital projector.
• We do not accept HD-Cam as an exhibition format.

In your Withoutabox Online Project Details, please include:
1. A 30-word synopsis of your film (to be used in press materials).
2. A one-paragraph synopsis of your film.
3. A list of previous screenings and any awards.
4. Digital press kit is optional but VERY MUCH appreciated. PLEASE DO NOT SEND PAPER PRESS KITS.
6. Completed entry form (One entry form per submission. Work entered in multiple categories must be accompanied by an entry form for each category).

Entry Fee:
Send check or money order in U.S. funds, payable to
Oxford Film Festival

ENTRY FEES WILL NOT BE RETURNED.
The Festival reserves the right to impose a $20 surcharge for returned checks.

Animation

Animated films can be feature length or short length. Computer generated or hand-drawn (old school style). Selected films will be shown as a block. There is not a “children’s film” block.

Documentary Feature The documentary category is generally understood to mean non-fiction. Isn’t the truth stranger than fiction, anyway? Please submit “mockumentaries” under the narrative (fictional) categories.
Documentary Features are at least 45 minutes in length.

Experimental Open to interpretation, frequently misunderstood, representative of an ever-changing world of non-linear sublimity, oblivious to commercial success — experimental film is art, subjected to critique.

Narrative Feature A Narrative Feature is neither a short nor a documentary. This is a live-action category for fictional works. Animated features should be submitted under Animation.
Narrative Features are at least 45 minutes long.

Documentary Short The documentary category is generally understood to mean non-fiction. Isn’t the truth stranger than fiction, anyway? Please submit “mockumentaries” under the narrative (fictional) categories.
Documentary Shorts are less than 45 minutes in length.

Narrative Short A Narrative Short is not a documentary short. This is a live-action category for fictional works. Animated shorts should be submitted under Animation.
Narrative Shorts are less than 45 minutes long.



Recommended: the ANIMANIMA Festival

Visit if you can !!

6 September 2012 – 9 September 2012

Contact: Milen Alempijević

E-mail: executive@animanima.org

Phone: 00 381 32 341 068

Fax: 00 381 32 225 073

Address: Dom kulture Čačak
Trg ustanka 2
Čačak
32000
Serbia

 

A principal aim of the ANIMANIMA festival is to affirm the art of animation, through featuring works of national and international authors. The works themselves comprise the most diverse techniques, ranging form the classical ones to the contemporary computerised techniques; they also cover a variety of forms, including artistic, commercial educative, experimental and other. Last but not least, the festival aims to bring together authors form all over the world, in a friendly and creative atmosphere.

Additional notes

There are two categories in the festival competition: films with the running times up to 30 minutes, and animated commercial or music video. Outside the competing segment, there is the special sections (reviews, lectures, retrospectives, miscellaneous shows, etc.), as well as the fringe events (exhibitions, concerts, promotions and similar events). There is a three-member Serbian Selection Comitee that selects the films for the festival, and there is a three-member international Jury that is in charge of the festival awards.

THE PRODUCERS GUILD WEEKEND SHORTS CONTEST

Open to Entrants Worldwide
September 28 to 30, 2012

UPCOMING DEADLINE
September 12, 2012 – Regular Registration Deadline

MISSION AND OBJECTIVE
The mission of the Producers Guild Weekend Shorts Contest is to support talented producers through the Producers Guild’s Debra Hill Fellowship and to bring the inspirational spirit of Debra Hill’s life and work to new generations of storytellers. Entries for this competition will reflect themes and elements found in Debra Hill’s films, and revenues raised by the contest will fund the PGA’s Fellowship.

MORE ABOUT THE CONTEST
Filmmakers must pre-register to participate in the Contest, and all films must be submitted by the completion deadline on September 30 to be considered in competition. Exact challenge details and story requirements will be distributed to all registered entrants at the beginning of the 48-hour filming period and will reflect themes and elements found in Debra Hill’s films. Completed films should be no longer than five minutes in runtime, and will be evaluated based on creative merit, technical execution, and fulfillment of the assignment. Winners will be announced on November 9, 2012.

Register for the Producers Guild Weekend Shorts Contest today, and get ready to flex your creative muscles in a fast-paced and fascinating storytelling challenge while benefiting the Producers Guild’s Debra Hill Fellowship!

The 2nd Annual Producers Guild Weekend Shorts Contest, is benefiting the Producers Guild of America’s (PGA) Debra Hill Fellowship. A pioneer among women in film production, Debra Hill charted a course from production assistant to writer-producer of some of the most successful films in history. By the time of her death in 2005, her filmography included crowd-pleasing hits like Halloween and Escape from LA, as well as the critically-lauded Academy Award-nominee The Fisher King . Uniquely dedicated to honoring Hill’s memory and achievements, the Weekend Shorts Contest is proud to bring the adventurous spirit of her life and work to a new generation of filmmakers and audiences. The Contest is open to all filmmakers worldwide 18 years and older; registrants need not be a member of the Producers Guild to enter.

The Producers Guild invites producers of all experience levels to participate in this exciting contest. Tailored to test both storytelling ability and production efficiency, entrants must craft memorable and effective films based upon a pre-assigned topic, with a maximum of 51 hours at their disposal. All entrants will receive the same assignment, but each will no doubt approach the subject with his or her own individualized flair. Completed productions will be submitted online and evaluated by accomplished industry professionals – including producers Gale Ann Hurd and Stacey Sher – each of whom had strong personal friendships with Hill.

The Contest will award First-, Second-, and Third-Place prizes, each of which includes guidance and mentorship from a well-respected member of the PGA. Additional prizes designed to help emerging talents advance their filmmaking careers include a $60,000 USD gift certificate from Panavision, a one-year subscription to Movie Magic, and a $10,000 gift certificate for grip and electric rentals from Cinelease.

 


Foyle Film Festival

25 Annual November 21, 2012 to November 25, 2012

MISSION & OBJECTIVE
The Foyle Film Festival‘s main aim is to provide access to cultural cinema, film industry workshops and moving image education to a regional and visiting audience, and to showcase the films of emerging local and international filmmakers.

ABOUT THE FESTIVAL
Foyle Film Festival is the flagship project of the Nerve Centre. From its earliest days, it has pursued an integrated development strategy, linking together the different art forms – film, music, animation, new media – across the interlocking sectors of production, training, education and exhibition. The key elements of Foyle Film Festival are its thematic content, diverse programme strands and special industry events which have been developed to meet the evolving interests of its audience.

The ethos is to offer a range of contemporary, classic, cultural and new cinema to a local and visiting audience and to provide access to cultural cinema to the general cinema going public in this region.

In addition, the Festival targets schools and colleges with a series of curriculum based screenings, workshops and presentations which runs for five days of the event. A new theme is adopted each year which shapes the Festival forum as well as the main education programme.

The Festival is also committed to showcasing indigenous work and providing opportunities for the local industry to meet and hear leading experts from the film industry in a masterclass and workshop situation. These have included workshops with special effects experts, composers, writers, cinematographers, actors and animators plus film historians and film journalists.

Please see our website http://www.foylefilmfestival.org for the awards list which we qualify for including the Oscar, BAFTA and BIFA.
ORGANIZERS
Bernie McLaughlin (Festival Director & Programmer) ; Bernie McLaughlin (Festival Director & Programmer) ; Bernie McLaughlin (Festival Director & Programmer) ; Eavan King (Competition Manager)

GENERAL RULES
Regulations for Participation 2012

Please read ALL of the below rules and regulations for the Foyle Film Festival before entry.

Keys: FFF – Foyle Film Festival, CM – Competition Manager, LIM – Light In Motion, DVD can also mean Blu Ray as we accept both.

Anything in CAPITALS means that you should pay particular attention to the rule/regulation stated.

Date and Venue
The 2012 Foyle Film Festival will take place in Derry, Northern Ireland from Wednesday 21-Sunday 25 November 2012.

Organisers
The 2012 Foyle Film Festival is a project of The Nerve Centre and will be organised and managed by the Festival Director Bernie McLaughlin. The competition will be managed by Eavan King.

Rule 1: By entering FFF your agreeing to all of the Competition rules and regulations stated below by FFF, Withoutabox and the Academy of Motion Picture Arts and Sciences (for International Short, Irish Short and Animation). Please see http://www.oscars.org/awards/ academyawards/rules/rule01.html for full Oscar rules and regulations.

COMPLETION DATE
All films must be completed after 1 January 2011.

Rule 2: All entries are to be made through Withoutabox. No exceptions. You must enter online and then send your DVD to the festival office.

Competition
The Competition section of the Festival is divided into the following categories:

A. Best Short Film
B. Best Animated Short Film
C. Best Documentary Film

Rule 3: You can only enter your film into one category.
If you are entering more than one film please make sure that they are eligible for each category you wish to enter that and you pay a separate fee for each film. If you wish to enter a number of films (Film Collective) you must put each film on a separate DVD and pay a fee for each entry.

Rule 4: The Festival reserves the right to place films into alternative categories if it feels it is to the benefit of the filmmaker. This will be discussed with those relevant before any decision is made.

Rule 5: Your film must not be available online or have shown on another medium e.g. TV. If your film is on YouTube, etc. then it will be automatically withdrawn from the competition. The only exception to this rule is the documentary category which can have been shown on another medium, but again not online.

Rule 6: Subtitles
The significant dialogue or narration of all films must be in English, or the entry must have English-language subtitles. Exceptions can be made for films that contain little or no dialogue.

Rule 7: Film Format (Submission and Exhibition)
Films selected for screening during the Festival are to be on DVD format. Both submission and exhibition will be on DVD. In most cases, we will use the DVD screener sent for submission, for exhibition, unless otherwise stated by the filmmaker at time of acceptance with due cause.

We accept all regions and aspects (NTSC, PAL and SECAM). We would prefer regions 0, 1 (USA) or 2 (UK), but all are acceptable. Please see the category technical requirements for a complete list of acceptable regions. Please make sure that your DVD plays in a DVD/Blu-Ray player before sending it to us.

PLEASE NOTE: ALTHOUGH YOU CAN SCREEN YOUR FILM ON DVD FORMAT DURING THE FESTIVAL, IF YOUR FILM WINS AT FOYLE FILM FESTIVAL, IT MUST BE AVAILABLE ON 35mm FILM PRINT ONLY IF YOU WISH TO ENTER IT FOR OSCAR CONSIDERATION. THE ACADEMY WILL MAKE NO EXCEPTION TO THIS RULE.

The Documentary category is not eligible for Oscar consideration.

ONLY SEND THE FINISHED VERSION OF YOUR FILM. WE DO NOT ACCEPT RE-EDITS OR WORKS IN PROGRESS..

Rule 8: Duration
All Short films should not be more than 40 mins. long.
A Documentary must be a minimum of 40 mins. long.

What you must send
For each entry the following must be sent:
* A DVD copy of the film being entered with your tracking number on the disc and the box or envelope for postage.

On your disc please put:
Name of film
Tracking number
Category you wish to enter
Aspect ratio
Contact details for submission contact

Due to the high number of entries we receive, DVDs will be separated from their boxes for storage.

We do not require a full press kit at time of entry. If successful, we will ask for a press kit if/when your film is accepted. PLEASE use the Withoutabox on-line press kit service. It’s free for all the basic press kit requirements.

In the interests of saving the environment please do not send lots of paper.

Rule 9: Publicity
The Festival reserves the right to use extracts from submissions for TV coverage or any other publicity that is used in the promotion of the Festival.

Submission

SUBMISSION REFERS TO SUBMISSION OF THE DVD (NOT THE ONLINE APPLICATION FORM). The 25th Foyle Film Festival 2012 submission dates are Friday 11 May-Friday 21 September. There are no Early Bird Entry Dates this year and no staggered payments. Entry fee the whole way through the submission process is fixed at £40 standard entry and £35 for WAB members. PLEASE NOTE: The discounted WAB Fee is only available to submitters that have upgraded their project.

All fees must be paid. FFF and Withoutabox take failure to pay the relevant and correct fee very seriously. An email from the CM will be sent to the entrant in this event. After a warning, failure to pay will result in disqualification. YOUR FILM WILL NOT BE VIEWED IF THE RELEVANT PAYMENT HAS NOT BEEN MADE.

Waivers (free entry) are granted only to select filmmakers who have been invited to submit by the Festival Director. Please do not email us and ask us for waiver. We receive thousands of requests and all are turned down.

Rule 10: All entries for FFF must arrive before the final deadline of 21 September 2012. (Applications after this date will not be accepted).
Please ensure you keep a copy of the accompanying rules and regulations.

The Festival reserves the right to change the criteria under certain circumstances. If changes do happen – submitters will be notified in writing of any changes to submission terms or criteria.

Shipping Instructions
Both submission and exhibition will be on DVD. In most cases, we will use the DVD screener sent for submission, for exhibition, unless otherwise stated by the filmmaker at time of acceptance with due cause. When accepted, if you do wish to send an exhibition DVD, it must reach the FFF office at the time stated by CM once accepted. This date must be respected. Beyond this deadline the film’s participation in the Festival cannot be guaranteed. Notification of despatch of the DVD to the Festival should be sent in advance.

The shipping cost of the DVD (Submission/Exhibition) to the Festival plus the customs and fees is the responsibility of the sender and the sender alone (this includes customs fees incurred at either end). MARK ON YOUR SHIPMENT “FOR CULTURAL PURPOSES ONLY TEMPORARY IMPORT” and of low/no value. If you want to pay for insurance, this is done solely at your own discretion.

PLEASE NOTE: THE FOYLE FILM FESTIVAL WILL NOT PAY ANY COSTS RELATING TO ANY COURIER/POSTAGE – INCLUDING FEDEX – THAT FILMMAKERS CHOOSE TO SEND THEIR ENTRIES WITH. THE FILMMAKER IS RESPONSIBLE FOR THE COST OF GETTING BOTH THE ENTRY COPY AND IF THEY WISH THE FINAL EXHIBITION COPY OF THE FILM ON DVD TO THE FESTIVAL. ALL COSTS AND DUTIES, ETC., ARE THE SOLE RESPONSIBILITY OF THE FILMMAKERS. FURTHER, IF ANY FILMMAKER USES A COURIER AND TRANSFERS THE COST TO FOYLE FILM FESTIVAL, THEN THIS ENTRY WILL BE DISQUALIFIED WITHOUT ENTERING INTO ANY DISCUSSION.

Use of packaging
If at all possible please avoid using padded envelopes. We cannot recycle them. If your DVD arrives broken through postage we will allow you to send another copy without paying an extra fee. Again, another reason to enter early. If this happens at a much later stage we may be unable to allow for time to post and screen. The CM has discretion in all matters.

We regret that we cannot return any submission/exhibition DVDs.

Selection
A special committee nominated by the Festival management selects the films for the Festival programme. The Festival management may invite films for the competition and programme.

Unsuccessful applicants will be informed via email and your submission status on your entry page will reflect this on or before the 12 October 2012. Emails can be mislaid … so please assume if you have not heard from us by the specified deadline (12 October 2012) that you have been unsuccessful at this time.

All successful applicants will be informed by email/telephone before or on the 12 October 2012. The selection committee’s decision is final. A final list of those films screening in Competition at the 2012 FFF will also be posted on the festival website (www.foylefilmfestival.org). If your film does not appear on this list then your film is not screening in competition in the 2012 FFF.

The category winners will be announced at the closing evening LIM Awards Ceremony, Sunday 25 November 2012. Absent winning filmmakers will be contacted by telephone or email. Winners in all categories will receive a Light In Motion (LIM Award). If you cannot be present at the ceremony, your LIM Award will be posted out to you.

Please send your entries to the address below:

Eavan King
Competition Manager
Foyle Film Festival
Nerve Centre
L/Derry
BT48 6HJ
N. Ireland
UK

Any enquiries or if you would like clarification on any of the above please get in touch.

E: e.king@nerve-centre.org.uk
T: +44 (0)28 7126 0562 (Ask for Foyle Film Festival Office)

Good Luck.
Eavan King, Competition Manager FFF 2012

KEY WEST FILM FESTIVAL

Key West, Florida – USA
November 29 to December 2, 2012

 

The Key West Film Festival (KWFF) showcases independent films that exhibit excellence in storytelling and capture that alluring essence of Key West: creativity, diversity, sustainability, and breathtaking beauty. The festival promises a relaxed, welcoming setting in which filmmakers will find ample opportunities to network with industry talents while dreaming up their next projects.

KWFF is proud to launch its inaugural celebration of film at Tropic Cinema and at the historic San Carlos Institute, the home of Cuban independence. All festival venues are within easy walking distance of one another, and all are just a few steps away from legendary Duval Street, offering dozens of galleries, attractions, and watering holes.

The festival is accepting narrative and documentary feature film entries from Florida and around the world. KWFF’s program will also include stimulating panels and workshops with film professionals that complement the festival’s dynamic slate of films.

UPCOMING DEADLINE
August 31, 2012 – Late Deadline

MORE ABOUT THE FESTIVAL
Key West has a formidable history of inspiring some of America’s greatest creative thinkers, including Ernest Hemingway who wrote For Whom the Bell Tolls, Death in the Afternoon, and several other classics in the warmth of Key West, and Tennessee Williams, who lived in the region for several years.

For the chance to trace the footsteps of some of the greatest American storytellers while enjoying a welcoming festival experience, submit your film to the Key West Film Festival today!

ANGAELICA FISCAL SPONSORSHIP

December 15 to 31, 2012

 

The 7th Annual Angaelica Fiscal Sponsorship Program, is offering support to filmmakers with a passion for the arts and ecology. Through Angaelica, artists and collaborators are connected and elevated through the shared experience of creativity, social good, and development of sustainable communities. A non-profit organization, Angaelica is eager to help bold and innovative artists at any stage of their respective film projects.

Through an independent and collaborative community of artists, Angaelica seeks to help artists create memorable new films, connect to a broader community, and develop vital artistic and financial relationships that will help them sustain their careers well into the future. Through the Columbia Gorge International Film Festival, now in its sixth year, Angaelica draws upon a sizable network of knowledgeable contacts ready to be connected to great creative works. By aligning with Angaelica as your fiscal sponsor, your project will receive added benefits upon completion including complimentary submission to the Columbia Gorge International Festival, as well as to Angaelica’s independent exhibit unveiled during Art Basel Miami Beach.

Recipients of the Angaelica Fiscal Sponsorship will receive aid in legal areas, publicity, and fundraising, and will share a common platform with the Angaelica organization that promotes sustainable communities and ecological empowerment. Every project sponsored by Angaelica will also receive aid in the planning and execution of a red carpet premiere at an Angaelica event. Whether your project is in its infancy or is in the can, Angaelica is eager to learn more about it.

UPCOMING DEADLINE
September 1, 2012 – Late Deadline

MISSION AND OBJECTIVE
Angaelica is a non-profit organization dedicated to promotion of the arts and ecology. It connects artists and collaborators through the power of storytelling and the desire to build sustainable artistic communities.

MORE ABOUT THE FESTIVAL
In addition to offering financial aid to filmmakers and their films, Angaelica is proud to reward screenplays with similar support. Talented writers are invited to submit a treatment, project concept, or finished screenplay. Teleplays, stage plays, and live performance pieces are also accepted. At Angaelica, the true value of a work is not measured by its format, but rather by its spirit.

Angaelica is a collaborative of environmental artists and farmers that believes in creating sustainable communities through artistic excellence. Its members are enthusiastically involved in urban farming projects and alternative energy endeavors and are active participants in ensuring each is responsible for what is used, reused, and created during any artistic process. If you’re a filmmaker or screenwriter with an eye for cinema and a heart for our planet, submit your creative work to Angaelica today!

SAN DIEGO BLACK FILM FESTIVAL

San Diego, California – USA
January 31 to February 3, 2013

 

The 11th Annual San Diego Black Film Festival (SDBFF), is showcasing African American and African Diaspora films. Located in gorgeous San Diego, California, this celebration combines sun, sand, and cinema with countless networking opportunities, and is one of the largest black film festivals in the country. Screening over 100 films a year in a broad variety of categories, SDBFF has cultivated a strong industry reputation as a place where talent is regularly scouted and discovered.

Each year the SDBFF program includes an awards dinner, filmmaker’s breakfast, panel discussions, opening reception, and a red carpet for filmmakers. The dynamic film program includes narrative and documentary features and shorts, as well as comedies, animated films, and music videos.

Opportunities for success at SDBFF are as varied and as exciting as the festival’s lineup; SDBFF awards include Best Dramatic Feature, Best Dramatic Short, Best Documentary Short, Best Religious Film, Best Cutting Edge Film, Best GLBT Film, Best Animation, and a host of others. Winning an award at the San Diego Black Film Festival adds significant industry prestige to a filmmaker’s resume and has helped launch the careers of past winners.

UPCOMING DEADLINE
August 31, 2012 – Regular Deadline

MISSION AND OBJECTIVE
The San Diego Black Film Festival celebrates cinema and community by providing a vehicle for worldwide exposure of quality African American and African Diaspora films.

MORE ABOUT THE FESTIVAL
SDFF takes place in downtown San Diego’s Gaslamp Quarter, the historic heart of the city with numerous shopping venues and electric nightlife. Submit your film to the San Diego Black Film Festival today for the chance to participate in one of the largest and most prestigious black film festivals in the country!