Filming in Second Life with the Spacenavigator – I found out the hard way that the driver updates (for Windows 10) will not work with the 3dconnexion mouse. So, a clean install of the old 3.16.3 r1447 drivers fixed the problem! It is also on the cd that came with your SpaceNavigator 🙂
The link to the old driver is here: 3dconnexion
In case this doesn’t work, as the issue is not related to the windows 10 driver of 3Dconnexion but to the poor implementation of Joystick API of Second Life viewers (standard & firestorm), follow the following steps after installing the drivers.
You need to deactivate the HID controller associated with “3Dconnexion KMJ Emulator”. Unfortunately second life viewer only recognizes the first alphabetic driver, i.e. K of KMJ before S of Spacenavigator. (Actually this was true with windows 7 as well, so it is definately not a W10 issue).
In Windows, go to Control Panel > Administrative Tools > Computer Management. Select the Device Manager from the left pane, and then choose the Human Interface Devices and check to see if you have a device called 3Dconnexion KMJ Emulator. You may or may not be able to disable this device (Properties > Driver > Disable), but disable it if you can. Additionally, find a HID-compliant device, HID-compliant game controller, or HID-compliant consumer control device, and check the Hardware ID (Properties > Details > Hardware IDs), looking for HID\3DXKMJ_HIDMINI&Col03 as the topmost value. When you find the device, disable it from the Driver tab.
A brilliant explanation is to be found on NALATES blog.
She mentiones that you should close all other applications while setting the properties in your SpaceNavigator settings, and this did the trick for me. The nav will make any application that is open the key app, and as I use it mainly in Second Life……
Thanks, , for your help!
One of my favorite spots in the virtual world of Second Life is the Spencer Museum of Art. I have been filming there, for my Robotworld series. After weeks of trying to teleport over, with no luck, I contacted Inara Pey, and she investigated – only to come back to me with the bad news: the sim is gone.
Crazy, that it has been gone for weeks, and nobody even noticed, it seems? Sigh. It cannot be just me, I heard that it is a favorite hangout for many Linden employees, and their director Ebbe Altberg.
Can one be sad, over the lost of a virtual place? Certainly. I am.
I met many people there, only recent spent hours talking with an Italian filmmaker and art curator, sitting on the giant couch, commenting in awe on the art surrounding us. The outstanding art machinima by Toxic Menges was shot there, recently showcased in Leicester UK, at the machinima convention – which featured mr. machinima Hugh Hancock himself (so glad I met him!).
I was filming, never finished the machinima – a hard lesson to be learned. As my mum used to tell me: never postphone … she was right, of course.
Keyboard Shortcuts for Twitter? These are great!
? Opens a pop-up containing keyboard shortcuts.
n Opens up a dialog box to post a new status.
r Replies to the tweet that is selected.
t Retweets the reply that is selected.
m Sends a direct message to a user.
/ Takes you to the search box
. Moves you back to the top of the page and updates your feed.
g + h Takes you to your Twitter home page.
g + r Takes you to your Mentions (NOT Messages)
g + m Takes you to your Direct Messages.
On October 7, my new movie ‘Activate Your Higher Mind’ is premiering in San Francisco, California. The show is an exclusive event, if you want to attend you need to contact me so I can put you on the guest list. You are very welcome!
The film (machinima) is a one hour vision on Art in Virtual Reality, and perhaps a retrospect on 8 years in Second Life, but more so a very personal journey into the future.
Please send me an email (chantalharvey -at -outlook-dot-com) or personal message on Facebook, so I can put you on the guest list, and give you details about location and time.
Special thanks to Cathy and DC Spensley for hosting the Mamachinima Salon.
Animaze is an international film festival and conference exploring the world of animation in all its diversity. The 2016 focus is Virtual Reality.
The festival is bringing a world of animation to Montreal. With a selection of short and feature-length animated films at the Montreal Museum of Fine Arts, an outdoor 360º Dome with planetarium-style projection and a Virtual Reality Cinema, Animaze has an inspiring and dynamic range of content across platforms and mediums.
Filmmakers and professionals from over 65 countries will converge on Montreal from August 18-21. Over the course of four days Animaze celebrates animation with:
- Screenings of over 160 films at the Montreal Museum of Fine Arts
- The Animaze Industry Conference with an exhibition hall, panels and speakers, networking opportunities at HOTEL10
- An outdoor 360º dome
- The Virtual Reality Cinema
- Free outdoor screenings at Parc des amériques on August 19 and 20.
- Talks and special events
I am traveling to Italy, to see the world debut of Ars Plastica projected live into Pied à Terre 37788, Rome the evening of July 4th, 2016.
The artist DC Spensley will be on hand to act as a guide. The application will be available for pubic download at www.arsplastica.xyz after July 5th.
If you are anywhere near, visit the expo and meet the artist, and say hi to me too!
This is not what it seems.
Ars Plastica, virtual world artwork and living ecosystem by DC Spensley
On the surface Ars Plastica is a downloadable virtual world, an experiential story about the remnants of an alien colony vessel discovered by an Earth exploration spacecraft. But Ars Plastica is also an exhibition of meta-sculptures, each a demonstration designed to engage the art viewer in reflexive and reactive experiences, nuances of what is generally considered “interactivity”.
To visit the sculptures requires the logged in art viewer to soar through an oxygen rich gas bubble wedged between stars far from our reality. On the way you will notice a world teeming with plant and animal life once intended to colonize and populate another planet. This is the story of a shipwreck, of invasive species, of a futile attempt at manufacturing homeostasis surrounding a catalog of artworks somewhere between inert and interactive.
Call Pied à Terre 37788, Rome (+39) 338 8.107.315 for information about informal evening guided tours on July 5th through 7th.
When – Saturday 25th June. Registration from 10:00, event ends 17:15
Where – The Venue@DMU, Western Boulevard, Leicester, LE2 7BU
What is Machinima?
Machinima: Games-based filmmaking. Machinima is a filmmaking technique that uses video game assets to provide virtual environments and actors. This method has existed since 1996, and has rapidly evolved alongside developments in games, animation, and film.
What is the IMC?
The International Machinima Convention aims to bring together students, academics, and those with an interest in games, animation, and film, in order to discuss the potential for machinima as a medium. With a list of world-class academics, machinima producers, and YouTube content creators, this event will provide an amazing insight into the world of machinima.
Panels and Speakers;
11:00 – 12:00 (Screening) Machinima: A Virtual Retrospective (Dr Tracy Harwood, Jason Boomer)
12:30 – 13:30 The Culture and Cultural Impact of Machinima (Chantal Harvey, Dr Jenna Ng, Dr Michael Thomas)
13:40 – 14:20 Screening of hand-picked machinima content
14:30 – 14:40 Leveling the Playing Field: An Introduction to Special Effect (Mick Donegan)
14:45 – 15:45 Is Justice Blind, or Simply Turning a Blind Eye: Machinima and the Law (Dr Tracy Harwood, Caroline Coles, Hugh Hancock)
16:15 – 17:15 Professional Development: Machinima as a Career (Chantal Harvey, Hugh Hancock, Tomohawk1989, Nettyplays, InTheLittleWood)
Re-edit of our 2011 official entry for the Doritos Super Bowl Contest.
Chantal Harvey & Tony Dyson, a mamachinima.com production.
Awesome voice over work from Brian Albury and Liat Reina!
Tony wrote the story-line, and directed. I filmed and edited. The filming was done in Second Life, and it was absolute fun to do. We ran into many problems, I remember the frustration as Tony and Judi Newall (who handled the dragon avatars) would position their avatars in a straight line, but I would see them pointing sideways. I saw the dragon distorted in crazy positions, while they both insisted the dragon was flying around and looking fine. My recording software (Fraps) ate the frame rate, and the scripts caused lag, it messed up my camera view – and as I am the camera, what I see is what will be on the film…. I ended up clearing cache and logging out and back in, at least 15 times an hour, to get maybe 8 seconds of good film. It all came together when Markus Parker-Rhodes (yes, the Monty Pythons Flying Circus animator) created the scripted breaking glass prop for us. Ok, the glass would break too soon or too late, but we got it in the end.
We submitted the film for the Superbowl Doritos Contest in 2011, and it was disappointing to hear we didn’t make the selection. We published it anyway, under the title: Dad saved the Day.
I found the original files when clearing one of my hard-drives, and decided to have another go at it. Tony, I hope i did justice to the film 🙂
(click the picture to watch)