Interactive Documentary Conference IDFA

Nov 18, 2012:

25th International Documentary Film Festival Amsterdam

 

Mark your calendars! On Sunday, November 18, the FORUM and IDFA DocLab (which is celebrating its fifth anniversary) will organize the Interactive Documentary Conference: DisruptiveTimelines, a one-day symposium on digital and interactive storytelling.

The conference will cover the very latest trends and developments in creating interactive stories, acquiring funds, and generating audience engagement. It will include keynote speeches from some of the world’s leading digital pioneers and multimedia artists. Keep an eye on our website for more information!

The FORUM and DocLab

In recent years, critically acclaimed projects such as Gaza/Sderot, Prison Valley, From Zero – People Rebuilding Life after the Emergency, and 24h Berlin have been pitched at the FORUM. Many of these later premiered at DocLab, IDFA’s program for digital documentary storytelling.

Since 2008, IDFA DocLab has been exploring the relationship between documentary filmmaking and new media. The IDFA DocLab Competition for Digital Documentary Storytelling is open to all digital and interactive media that can be used to tell a documentary story. During IDFA, DocLab showcases an annual selection of the best interactive documentaries and other new forms of digital documentary art and storytelling. Projects are presented as installations, live cinema events, and on the IDFA DocLab website, which currently features over 100 projects.

Laugh Out Loud Short Film Festival

2 Annual January 11, 2013 to March 31, 2013

Want your short film screened in commercial movie theatres throughout North America?  You’ve come to the right place.

An estimated 17,000 short films are produced annually, yet only a tiny fraction ever sees an audience that isn’t positioned in front of a computer screen.  Sure, traditional short film festivals offer exhibition to an art-house crowd looking for alternatives.  But what about the masses?  Isn’t that what being a filmmaker is all about?  What better environment for screening your film than in front of mainstream audiences at commercial movie theatres throughout North America?

MISSION & OBJECTIVE
LOLSFF enables short comedy films to be viewed by mainstream audiences at commercial movie theatres throughout North America.

ABOUT THE FESTIVAL
This festival leverages our Director’s relationships built over a 2O year career in the exhibition industry. With current customers representing hundreds of movie theatres and thousands of movie screens, we give comedy shorts the opportunity to be seen on the big screen. Likewise, audiences get a chance to see outstanding comedy films in the comfort and familiarity of their local cinema within a structure they are accustomed to.
ORGANIZERS
Joe Edick (Festival Registrar) ; Joe Edick (Festival Registrar) ; Joe Edick (Festival Registrar)

 

GENERAL RULES
1. Only completed entries (including entry form, payment, and DVD) will be processed and considered for screening.

2. Film must NOT have screened outside of the filmmaker’s local US television market prior to the Festival in order to be eligible for a Festival screening. Films shown outside of the filmmaker’s home market, but shown in a single market, will be eligible. By submitting, you agree to allow LOLSFF to exhibit your film during its 2013 festivals, regardless of subsequent distribution deals secured after the submission process.

3. Productions produced after December 2009 are eligible.

4. Productions must provide their screener on DVD Region 0 or 1 unless previously arranged.

5. Entries must be postmarked by October 19th, 2012. Late entries will be accepted until October 19th, 2012 provided that the entry is accompanied by the late entry fee (see entry fee section).

6. Entrant confirms and warrants required legal authority to submit the entry into the Festival and to use all music, images and content in the entry.

7. Entrant will allow usage of clips from the entry and all related publicity material submitted for promotional use on television, radio, in print, web and at live Festival events.

8. All entries must be either in English or contain English subtitles. Non-English entries submitted without subtitles or with supplementary printed translations will be automatically disqualified.

9. We will NOT look at works in progress.

10. All Decisions by judges, programmers and organizers will be final and NO REFUND of entry fee will be permitted.

11. Digital exhibition format will be used; therefore, if selected, producers must submit an NTSC HD format for exhibition.

12. Filmmakers will pay all transportation costs of shipping their materials to the festival.

CINEQUEST FILM FESTIVAL

San Jose, California – USA
February 26 to March 10, 2013

UPCOMING DEADLINE
October 15, 2012 – Regular Deadline

MISSION AND OBJECTIVE
The Cinequest Film Festival integrates the worlds of cinematic creativity and innovation to transform lives for the better. It is dedicated to empowering voices of all backgrounds in the effort to tell stories with cultural and social significance, always daring to act as a catalyst of dynamic change in a cookie-cutter world.

MORE ABOUT THE FESTIVAL
Cinequest also maintains its own Mavericks Studio, an enterprise that co-produces and distributes high-quality motion pictures, documentaries, television programs, and new media that demonstrate artistic ingenuity, social responsibility, leadership, and innovation. Its most recent undertaking, Life is Love, chronicles the true-life journey of Somaly Mam, a leader in the movement to free young girls from the horrors of human trafficking. The film is currently in production in Somalia, and furthers Mavericks Studio’s mission to deliver impactful stories that can truly change lives.

Variety declares, “Cinequest has consistently managed to pull in heavyweight guests,” and Ain’t It Cool News calls the festival “a state-of-the-art digital extravaganza like you’ve probably never seen.” For your chance to rub elbows with industry vets and discover new film talent and technology, submit your work to the Cinequest Film Festival today!

The 23rd Annual Cinequest Film Festival, is showcasing premier films, emerging artists, and breakthrough technologies that empower global connectivity between creators and innovators. Cited by Chris Gore’s Ultimate Film Festival Survival Guide as an event that “sets the trends and is actually ahead of the trends,” Cinequest is part innovation lab, part storyteller’s paradise, and always one-of-a-kind. Its originality annually attracts more than 90,000 attendees – a mix of seasoned artists, up-and-coming talents, and industry players interested in discovering the latest developments in film and technology.

Cinequest’s stellar reputation hinges in no small part on its knack for exhibiting a potent mix of immersive stories from around the globe, and for securing distribution for many of its honored filmmakers. IFC Films, MSNBC Films, Lionsgate, PBS, and HBO have all signed deals with some of Cinequest’s big success stories, and this year’s festival is primed to launch an entirely new crop of talented filmmakers onto the scene. As an Academy-qualifying festival for the short film categories, Cinequest is proud to honor the winners of its Best Short Narrative and Best Short Animation prizes with a shot at every filmmaker’s dream – Oscar gold.

New this year, Cinequest will present $25,000 USD cash prizes to the winners of the Knight Foundation Audience Favorite Feature and Audience Favorite Documentary awards. The festival also presents several category awards in addition to special recognitions such as Best First Feature Film, the New Visions Award, and the Global Vision Award. Winners are announced at the closing night celebration as well as in two press releases and on the festival’s website. Exhibiting filmmakers receive VIP passes granting access to all screenings, opening and closing night parties, and the VIP Lounge. Filmmakers also receive exclusive hotel deals while attending the festival.