INDEPENDENT FILMMAKERS SHOWCASE

Los Angeles, California – USA
March 20 to 28, 2013

Upcoming Deadline: September 22

The 15th Annual Independent Filmmakers Showcase (IFS) unfolds across some of the best cinema houses in Los Angeles, Hollywood, and Santa Monica, California – offering its attendees a glimpse at the beating heart of American moviemaking. With a focus on great storytelling, IFS is proud to cultivate an environment in which student and independent filmmakers from all over the world can celebrate their accomplishments without commercial pressures. Fourteen winning films and screenplays will be presented with IFS Awards of Merit, designed to honor the best of independent cinema from the past year.

An eclectic batch of stars from large and small screens – including Lance Henriksen (Aliens), Brian Baumgartner (The Office), and Tyler Blackburn (Pretty Little Liars) – have been known to attend IFS with new projects. But, the real stars of the festival are the films themselves, which have helped launch promising careers for talent both in front of and behind the camera. Lesson Plan, last year’s Best Documentary winner, has recently nabbed a North American distribution deal, and Khary Payton, last year’s Best Actor winner, can now be seen on USA’s Fairly Legal . IFS is experienced at recognizing great talent…submit today!

BYRON BAY INTERNATIONAL FILM FESTIVAL

Byron Bay – Australia
March 1 to March 10, 2013

UPCOMING DEADLINE
September 27, 2012 – Regular Deadline

The 7th Annual Byron Bay International Film Festival (BBFF), is honoring fantastic filmmaking in one of the most attractive destinations on the planet: Australia. In addition to celebrating the work of seasoned professionals, BBFF welcomes work from independent filmmakers at all stages of their careers, and attracts audiences that are as warm and as spirited as Byron Bay itself. Free workshops, discussion panels, and film appreciation events infuse the festival with an energy and a personality all its own, while the engaging hospitality of film-loving locals ensures that many of its visitors never want to leave.

Though it promotes and exhibits films from all over the world, BBFF fully embraces its roots, featuring a Best Young Australian Filmmaker award and offering young Australian filmmakers reduced entry fees. Many of the festival’s selections shed light on the interests of the local community, including environmental health, human rights, cultural diversity, and artistry of all forms. Byron Bay is an inclusive, curious, and exciting place to be, and those qualities are naturally central to the films that fill the slate at BBFF.

The festival presents numerous awards, including Best Film, Best Short Film, Best Drama, Best Documentary, Best Cinematography, Best Music Video, Best Experimental Film, Best Animated Film, Best Environmental Film, and Best Surf Film. In addition to its traditional film program, BBFF is also proud to offer family-friendly screenings, as well as screenings for local schools. In consideration of this effort, BBFF’s selection committee is always on the lookout for great family or children-friendly films to add to its Schools Sessions program.

MISSION AND OBJECTIVE
The Byron Bay International Film Festival showcases diverse films of all lengths and all genres and provides a platform for independent filmmakers in all stages of their careers. With significant support from the Australian film industry, BBFF is dedicated to bringing the work of talented, creative people to an appreciative and intelligent audience.

MORE ABOUT THE FESTIVAL
BBFF is an Australian Academy of Cinema and Television Arts (AACTA)-accredited festival, creating opportunities for Australian filmmakers to receive greater recognition and exposure through televised national events. Taking place in an area known to hold the highest concentration of filmmakers in Australia, BBFF also ensures top-notch networking opportunities for attending guests.

For the chance to enjoy the many splendors of Byron Bay, from the seaside locale to the lively festival events, submit your film today!

Anchorage International Film Festival

12 Annual November 30, 2012 to December 09, 2012

MISSION & OBJECTIVE
The Anchorage International Film Festival (AIFF) is a non-profit arts organization that supports and promotes independent film and new media through screenings, workshops, film competitions, and outreach activities.

ABOUT THE FESTIVAL
Anchorage lies on the edge of the Chugach Mountains to the east and borders Cook Inlet to the west. Though far away from Cannes, Sundance, and Toronto, residents tend to feel proud about doing things differently than the rest of the world. Independence has always been regarded as an asset and highly regarded quality here, often revealing itself as a magnificent trait.

As North America’s northermost independent festival, this year marks the 12th AIFF. The enthusiasm, sophistication and passion of our audiences surprises visitors, and the integrity of our judging process allows for quality to shine while leaving room for films to stand out. Our programming teams immerse themselves in the selection process and present programs ranging from comedy to horror.

Here in Anchorage, our goal for the festival is to bring movie-goers out of the cold and into the illuminating worlds of filmmakers from around the globe. By hosting filmmakers from all parts of the country and world to Alaska, we want artists to connect with people they might not otherwise meet, and engage audiences in screenings, workshops, and celebratory events.

FIlms screened at our festival have gone on to show and win awards in Seattle and Sundance. We’ve been visited by the LA Film Festival, Seattle International Film Festival, the Sundance Channel, and Hypnotic Films, among others, and were featured in Premiere Magazine and Canal+ Belgium’s documentary “Around the World in 25 Film Festivals.”

Glasgow Film Festival

09 Annual February 03, 2013 to February 24, 2013

 

GLASGOW FILM FESTIVAL ’S VISION
‘The best of the best film festivals’, Glasgow Film Festival combines the best aspects of the world’s best fests in a welcoming, stimulating, inclusive and safe environment for all.

GLASGOW FILM FESTIVAL ’S MISSION
Glasgow Film Festival aims to be the most popular and well thought of film and moving image media event in the UK, linking local and global audiences to Scottish and international talent, cultures and ideas.

ABOUT THE FESTIVAL
Glasgow Film Festival is the third largest film festival in the UK boasting over 35,000 admissions in 2012.

Our approach is to put the filmmaker and the audience at the heart of our programme and establish quality of opportunities for both. We view the Glasgow Film Theatre (GFT) as the hub of the Festival whilst aiming to reach out across the city to support curatorial talent in both individuals and other organisations.

The Festival is a multi-venue, multi-partnership event which takes inspiration from and enhances the global image of Glasgow as an exciting place to live or to visit. It aims to exhibit the best of world cinema and moving image content; expand and diversify the audience for non-mainstream films; showcase and nurture new emerging talent; promote collaboration between appropriate media, platforms and sectors and ultimately promote the city as a national and international centre for the arts. The Festival aims to build year round audiences for the moving image medium.

Please note: submissions of short films under 5 minutes are accepted manually via our website – www.glasgowfilm.org

ORGANIZERS
Allan Hunter (GFF Co-Director) ; Allison Gardner (Director) ; Corinne Orton (Great Scots Programmer) ; Gail Tolley (Programmer) ; Matt Lloyd (GSFF Director) ; Seonaid Daly (Festival Producer)

GENERAL RULES
Glasgow Film Festival Submission Guidelines

The Glasgow Film Festival will take place throughout February 2013 in Glasgow, Scotland.

The Festival is committed to screening high quality new features, short length film and video work in all genres from around the world.

The Glasgow Film Festival 2013 will have a strand dedicated to Music films (showcasing the sounds, culture and influences of music and musicians – fiction and non fiction)

The Glasgow Film Festival 2013 will have a strand dedicated to Documentaries.

The Glasgow Film Festival 2013 will have a strand dedicated to Brazilian Cinema

Glasgow Short Film Festival has several award category as follows:
Bill Douglas Award for International Short Film judged by panel of industry experts has a cash value of £1000
Scottish Short Film Award judged by panel of industry experts has a cash value £750
There is also an International Audience Award and Scottish Audience Award.

All submitted films should have been completed after October 2011.

GFF regard a short film as 45 minutes or under and a feature film as over 45 minutes.

The final selection of all films presented at the Festival and their placement in the programme is the responsibility of the Co-Directors.

Submissions deadlines are as follows:
Early Bird 27 July
Regular 14 September
Late 5 October (for Feature Films)
Late 19 October (for Short Films)

These are postmark and payment deadlines but please do send your submission as soon as possible. All submissions, preview DVDs, supporting material and payment must be received by the appropriate deadline otherwise your film will not be processed.

All submissions must be on DVD. We only accept DVD PAL and DVD NTSC. You must label the disk with the film’s title and tracking number. Also put a label on the spine of the DVD cover noting the film title, DVD format and film duration. We will not accept any other format.

We will not consider previously submitted work unless it has been considerably re-edited/re-shot. Please include a cover letter with details. If we already viewed your film as a rough cut last year, we usually will not consider it for the following year. Please remember this before submitting as you will not be entitled to a refund.

Submissions with unpaid fees will not be considered for selection.

Payment must be made in POUNDS STERLING only.

Packages should be marked, NO COMMERCIAL VALUE – FOR CULTURAL PURPOSES ONLY.

Screening copies should be sent in packages marked ‘Submission’ addressed to:
GFF13 Submissions
Glasgow Film Theatre
Finance Department
12 Rose Street
Glasgow
Scotland, UK

ARCLIGHT DOCUMENTARY FILM FESTIVAL

Hollywood, California – USA
November 5 to 10, 2012

UPCOMING DEADLINE
September 23, 2012 – Final Deadline, No Entry Fee

MISSION AND OBJECTIVE
The Arclight Documentory Film Festival – ADFF – offers a top-notch screening opportunity in the bustling center of Hollywood, allowing filmmakers to display their works in the strongest possible environment and to the broadest possible audience.

MORE ABOUT THE FESTIVAL
In addition to celebrating feature-length documentaries of all kinds, ADFF accepts short documentary films with runtimes of 2 to 30 minutes. All films will be judged based on creativity, cinematography, editing, and story. The festival jury includes documentary producer Lesley Chilcott (Waiting For Superman), KCRW’s Matt Holzman, and International Documentary Association President Marjan Safinia.

U.S. Documentarians: Submit your film’s trailer today, and unleash your talent upon a global online audience for the chance to reach industry insiders and take home great prizes!

The 2nd Annual Arclight Documentary Film Festival (ADFF), is offering talented independent documentary filmmakers valuable exposure right in the heart of Hollywood, California. Held at the Arclight Hollywood – renowned for reserved seating, no advertising, and outstanding customer service – ADFF offers its visitors full immersion in the Hollywood experience. Synonymous with the premier film-watching experience, Arclight Cinemas is proud to align its name with some of the most incisive and thought-provoking documentarians working today and is equally excited to help discover the brightest up-and-coming talents of tomorrow.

Competitive categories include Biographic/Historic Documentary, Social Issue Documentary, and Short Documentary, to name just a few. Through its online selection process, the festival also gives film-lovers across the country and globe the chance to participate; voters on Facebook and YouTube select their favorite films based upon submitted trailers of 2-4 minutes each. The top five films in each category will be screened at the festival and then evaluated by a panel of industry professionals.

One finalist in each competitive category will be selected to receive the ADFF “Best in Category” prize, valued at $500 USD each. What’s more, one lucky ADFF finalist will be selected as the overall festival winner, receiving a cash prize of $10,000. As any documentarian knows, financial support is a fantastic asset, but it’s no substitute for great networking opportunities with industry experts who can pave a path towards new projects. ADFF is not only proud to offer its winners support on both of these fronts, it is dedicated to ensuring a fun and exciting experience along the way.


Bronx International Film Festival

10 Annual November 08, 2012 to November 10, 2012

MISSION & OBJECTIVE
The Bronx International Film Festival promotes the cultural and artistic vitality of The Bronx by celebrating its place in film history and the spirit and passion of the independent filmmaker.

ABOUT THE FESTIVAL
HISTORY
A century ago The Bronx was home to two well-known silent film studios, The Edison Studios on Decatur Avenue & Oliver Place (a few blocks from the location of the Film Festival) and Biograph Studios a.k.a. The Gold Medal Studios at 807 E. 175th Street.

Edison Studios notable contributions to cinema included one of the first horror films, “Frankenstein,” released in 1910 and the first serial film, “What Happened to Mary” released in 1912. The 14-minute “Frankenstein,” starring Charles Ogle, took an entire week to film. This was a highly unusual schedule for the time. Silent movies were usually filmed in one day. “What Happened to Mary” began a series of 12 episodes starring Mary Fuller. The silent film studio closed in 1918, but the Terry Brothers reopened the space in 1935 to start Terrytoons employing Bronx artists to hand paint the first animated color cartoon films.

Biograph Studios launched many silent film careers including: director, D.W. Griffith; cameraman, Billy Bitzer; and actors, Mary Pickford, Lillian and Dorothy Gish, Harry Carey, Lionel Barrymore, among others. Some twenty years after the sound stage closed, Martin Poll restored Biograph Studios and reopened it as the Gold Medal Studios (the largest film studio outside of Hollywood) where TV’s “The Naked City,” “Car 54 Where are You” and movies like “Odds Against Tomorrow,” “A Face in the Crowd,” “The Fugitive Kind,” “Pretty Boy Floyd,” and “Butterfield 8” were filmed. Mr. Poll worked to simplify NYC filming permits and had the distinction of being sworn in as the Commissioner of Motion Picture Arts (precursor to the NYC Film Commissioner) on July 21, 1959 by then Bronx Borough President Lyons.

ORGANIZERS
Black Robb (Publicist) ; Hector Olivieri (Programmer) ; Maggie Krupka (Sponsorship)

GENERAL RULES
We accept narrative, documentary, animation and experimental films.

Screening location: 500-seat Lovinger Theatre/Lehman Stages

Your submission must be original work not commercially exhibited or distributed prior to The Bronx International Film Festival (Festival); submission and screening at other festivals is fine. You must have all clearances and rights and have full authority to submit the project.

Running Time:
Short Films: maximum 29 minutes
Feature: minimum 30 minutes

Your preview submission must be on DVD formatted for North American/Zone 1 DVD players. Please test your DVD for compatibility before submitting.

Entry fee is non-refundable. (Fee may be waived for film students who reside in The Bronx.)

Clearly label each preview DVD with project title, contact information and running time.

If you submitted a film in 2011, but were not selected for screening, you may resubmit your work provided you have made notable changes to the film.

You may submit a rough-cut provided your film will be completed no later than two weeks before the Festival.

You may submit more than one film; however, each submission must have a separate entry form and applicable fee.

Please include a synopsis of your project.

Every precaution will be taken in handling all entries; however, the Festival producers, staff, sponsors and affiliated entities will not be liable for any loss or damage of your film at any time during shipping or handling.

Regardless of your production format, you will be responsible for supplying your film in Mini DV format for Festival screening.

By submitting your film, you give The Bronx International Film Festival permission to show your film during the festival and use your film, stills, synopsis, bio and other press kit material, supplied by you, to promote the festival.

 

SANTA BARBARA INTERNATIONAL FILM FESTIVAL

Santa Barbara, California – USA
January 24 to February 3, 2013

The 28th Annual Santa Barbara International Film Festival (SBIFF), is a highly-anticipated eleven-day celebration of cinema taking place in one of California’s most beautiful seaside communities. SBIFF is proud to present a diverse slate of more than 200 films to over 70,000 film enthusiasts – an audience that includes industry professionals from nearby Los Angeles and around the world, local and regional film fans, and a large student population. Among a mix of attendees this varied and energized, attending filmmakers and guests alike are sure to expand their network and encounter incredible new stories.

Well-timed just a few weeks before the Academy Awards each year, SBIFF has become a glamorous must-stop for frontrunners on the awards season fast-track. The festival has developed a reputation as a strong prognosticator of Oscar favorites, having recognized Colin Firth’s performance in A Single Man, Viola Davis’s performance in The Help, Helen Mirren’s performance in The Queen, and Heath Ledger’s performance in Brokeback Mountain with its Outstanding Performance of the Year Award. The festival is also an Academy-qualifying festival for winning live action and animated short films.

At SBIFF, all participating filmmakers are offered two Platinum Passes and one complimentary night at one of the festival’s partner hotels. Assistance with travel is also provided, as well as admission to the SBIFF hospitality suite at the centralized and convenient Santa Barbara Hotel, offering continental breakfast and all of the amenities expected from a world-class event. The screening venues at SBIFF are second-to-none, including the historic and beautifully restored Arlington Theatre, which seats over 2,000 people – a cinephile’s paradise.

UPCOMING DEADLINE
September 21, 2012 – Regular Deadline

MISSION AND OBJECTIVE
The Santa Barbara International Film Festival is a non-profit organization dedicated to enriching local culture and raising consciousness of film as an art form. It presents quality American Independent, Spanish and Latin American, European, World and Documentary cinema within the beautiful setting of downtown Santa Barbara, a perfect backdrop and premier tourist destination.

MORE ABOUT THE FESTIVAL
SBIFF offers a broad spectrum of films, tributes, and galas, as well as seminars with successful directors, producers, and screenwriters, including a few all-women panels dedicated to promoting and exploring opportunities for female filmmakers. In addition to honoring many of Hollywood’s established and beloved stars, SBIFF is the home of the “10-10-10 Competition,” a spirited contest of storytelling skill between students currently enrolled in Santa Barbara high schools and colleges. Ten writers are selected to write one ten-minute script each, and those scripts are then matched with ten filmmaking students. Those students are given ten days to shoot and edit a ten-minute short film during the festival. Films are screened and winners are announced on closing night, making SBIFF the rare film festival experience that doesn’t simply screen films, but also produces them.

In addition, SBIFF offers an array of memorable and exciting programs for the benefit of young people, including “AppleBox,” a free, family-oriented, mini-film festival; “Field Trip to the Movies,” an arts education expedition for fifth- and sixth-graders; and “Silver Screen Bash,” the festival’s largest fundraiser for free children’s education and community outreach.

With a program that equally delights industry guests, film-loving families, and attending filmmakers of all types, Santa Barbara International Film Festival delivers a top-notch experience, no matter what you’re looking for. Submit your film today for the chance to enjoy the sights, sounds, sand, and cinema of Santa Barbara!

European Film Festival

8 Annual October 14, 2012 to November 17, 2012

MISSION & OBJECTIVE
The European Film Festival’s mission is to bring quality international independent film to the widest possible audience in Europe and beyond.

The Festival aims to provide a cultural alternative to the commercial film experience, to support independent filmmakers, and promote the art of filmmaking

The European Film Festival was established to utilize the power of film to further the goal of inter-cultural understanding among nations and to assist in the building of a shared artistic experience.

No medium is better positioned than film to enable people to understand, question and affect the world around them.

ABOUT THE FESTIVAL
The European Film Festival, held every October and November in cities across Europe, showcases the best of international independent film. With events in dozens of locations all over the continent, the Festival screens over 150 narrative features, documentaries, shorts, and music videos. Now in its sixth year, the Festival has grown into a world-class event, uniting new filmmakers with critics, scholars, film masters, and the movie-loving public.

The European Film Festival is dedicated to new filmmakers. We accept films in every genre, on any topic, from every country around the world. Special attention is paid to new directors, and films that overcome budget limitations in new and innovative ways. The European Film Festival brings attention to the most talented emerging filmmakers, showcasing their work to audiences around Europe.

ORGANIZERS
Mary Symmons (Festival Registrar) ; Mary Symmons (Festival Registrar)

GENERAL RULES
Submissions must have been completed after January 1, 2005.

Films must not have had any commercial theatrical play in the EU. The European Film Festival does not require films to be world or EU premieres. Screenplays must not have been produced.

Films in a language other than English must be subtitled in English for Festival presentation. Screenplays must be in English.

For submission purposes, DVDs may be works-in-progress, films with temporary soundtracks, or digital outputs

OPEN CALL FOR ENTRIES • Select a Category of Entry to continue.

Narrative Feature (budget under €15k)
Narrative Feature. Film budget must be under €15k ($15k USD).
Narrative Feature (budget under €150k)
Narrative Feature. Film budget must be under €150k ($150k USD).
Narrative Feature (budget over €150k)
Narrative Feature. Film budget may exceed €150k ($150k USD).
Documentary Feature
Short Documentary (under 30 minutes)
Short documentaries of under 30 minutes.
Lesbian and Gay Film
Experimental Film (under 30 minutes)
Short Film (under 50 minutes)
Short Short (under 5 minutes)
Animated Short (under 50 minutes)
Music Video
Feature Screenplay
Short Screenplay (under 50 pages)
Screenplay Pitch (under 3 pages)

Oxford Film Festival

10 Annual February 21, 2013 to February 24, 2013

MISSION & OBJECTIVE
The Oxford Film Festival was created in 2003 to bring exciting, new, and unusual films (and the people who create them) to our city, a vibrant college town frequently featured in national publications and rich in artistic heritage.

ABOUT THE FESTIVAL
The four-day Oxford Film Festival continues to attract quality films and highlight the talents of young filmmakers from all over the world to North Mississippi to screen alongside the work of local filmmakers and has been praised for its hospitality. In 2008, the Oxford Film Festival became an independent non-profit organization with 501c3 status committed to celebrating the art of independent cinema.

The festival screens short and feature-length films in both showcase and competition settings, hosts panel discussions on issues in contemporary filmmaking, and invites the filmmakers to interact with the audience at a number of social events.

The Oxford Film Festival entertains and educates its participants, providing residents and visitors with the opportunity to watch independent films, as well as to meet the filmmakers and learn from industry professionals. The variety of films, in addition to the panels, attracts filmgoers of all ages and backgrounds.

ORGANIZERS
Diala Chaney (Hospitality Director) ; Diala Chaney (Hospitality Director) ; Dwayne Butcher (Filmmaker) ; Dwayne Butcher (Filmmaker) ; Melanie Addington (Communications Director) ; Micah Ginn (Production Director) ; Michelle Emanuel (Operations Director) ; Michelle Emanuel (Operations Director) ; Molly Fergusson (Executive Director) ; Oxford Film Festival Judge

GENERAL RULES
ENTERING TIPS
• Online screeners are encouraged. Entry fees have been discounted for films with Secure Online Screeners. Otherwise, please send 2 copies of the DVD with this application.
• Upon acceptance, filmmakers will be asked to provide a prores 422 file to the festival, a DVD backup, as well as a high-resolution photo file for printed materials.
• Entry title and name of entrant must be on all materials and containers.
• Applicants will be notified of decision by or before December 15, 2012.
• The Festival is not responsible for materials damaged or lost in transit. TRACKING NUMBERS ARE ENCOURAGED.
• Keep a copy of your completed application for reference.
• Separate applications are required for each film—even if one entity is submitting more than one film.

EXHIBITION FORMAT
• Please note that the Oxford Film Festival is a digital-only festival. We will screen your film as a digital file through a digital projector.
• We do not accept HD-Cam as an exhibition format.

In your Withoutabox Online Project Details, please include:
1. A 30-word synopsis of your film (to be used in press materials).
2. A one-paragraph synopsis of your film.
3. A list of previous screenings and any awards.
4. Digital press kit is optional but VERY MUCH appreciated. PLEASE DO NOT SEND PAPER PRESS KITS.
6. Completed entry form (One entry form per submission. Work entered in multiple categories must be accompanied by an entry form for each category).

Entry Fee:
Send check or money order in U.S. funds, payable to
Oxford Film Festival

ENTRY FEES WILL NOT BE RETURNED.
The Festival reserves the right to impose a $20 surcharge for returned checks.

Animation

Animated films can be feature length or short length. Computer generated or hand-drawn (old school style). Selected films will be shown as a block. There is not a “children’s film” block.

Documentary Feature The documentary category is generally understood to mean non-fiction. Isn’t the truth stranger than fiction, anyway? Please submit “mockumentaries” under the narrative (fictional) categories.
Documentary Features are at least 45 minutes in length.

Experimental Open to interpretation, frequently misunderstood, representative of an ever-changing world of non-linear sublimity, oblivious to commercial success — experimental film is art, subjected to critique.

Narrative Feature A Narrative Feature is neither a short nor a documentary. This is a live-action category for fictional works. Animated features should be submitted under Animation.
Narrative Features are at least 45 minutes long.

Documentary Short The documentary category is generally understood to mean non-fiction. Isn’t the truth stranger than fiction, anyway? Please submit “mockumentaries” under the narrative (fictional) categories.
Documentary Shorts are less than 45 minutes in length.

Narrative Short A Narrative Short is not a documentary short. This is a live-action category for fictional works. Animated shorts should be submitted under Animation.
Narrative Shorts are less than 45 minutes long.



Recommended: the ANIMANIMA Festival

Visit if you can !!

6 September 2012 – 9 September 2012

Contact: Milen Alempijević

E-mail: executive@animanima.org

Phone: 00 381 32 341 068

Fax: 00 381 32 225 073

Address: Dom kulture Čačak
Trg ustanka 2
Čačak
32000
Serbia

 

A principal aim of the ANIMANIMA festival is to affirm the art of animation, through featuring works of national and international authors. The works themselves comprise the most diverse techniques, ranging form the classical ones to the contemporary computerised techniques; they also cover a variety of forms, including artistic, commercial educative, experimental and other. Last but not least, the festival aims to bring together authors form all over the world, in a friendly and creative atmosphere.

Additional notes

There are two categories in the festival competition: films with the running times up to 30 minutes, and animated commercial or music video. Outside the competing segment, there is the special sections (reviews, lectures, retrospectives, miscellaneous shows, etc.), as well as the fringe events (exhibitions, concerts, promotions and similar events). There is a three-member Serbian Selection Comitee that selects the films for the festival, and there is a three-member international Jury that is in charge of the festival awards.